Finally, a coherent interpretation of an array of phenomena I'd puzzled over in recent years: the way Paris Hilton's leaked sex tapes seemed only to enhance her career; the horrifying popularity of vaginoplasty, a surgical procedure designed to make female genitalia more sightly; and a spate of mainstream books about stripping and other sex work, some reviewed in these pages. Levy has a theory that makes sense of all this. Our popular culture, she argues, has embraced a model of female sexuality that comes straight from pornography and strip clubs, in which the woman's job is to excite and titillate -- to perform for men. According to Levy, women have bought into this by altering their bodies surgically and cosmetically, and -- more insidiously -- by confusing sexual power with power, so that embracing this caricaturish form of sexuality becomes, in their minds, a perverse kind of feminism. Levy's evidence is unsettling: that a number of female Olympic athletes saw fit to pose nude for Playboy before the games in Athens, for instance, or that Crunch gyms in several American cities offer "Cardio Striptease" classes, where women work out in bras and thongs. Much of the reporting is Levy's own she writes for New York magazine , and her forays into a "Girls Gone Wild" shoot, several parties hosted by the neo-feminist group Cake, the lesbian subculture of New York and San Francisco, and the private lives of sexually active teenagers make for smart, acerbic reading.
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Female Chauvinist Pigs: Women and the Rise of Raunch Culture  is a book by Ariel Levy which critiques the highly sexualized American culture in which women are objectified , objectify one another, and are encouraged to objectify themselves. Levy refers to this as " raunch culture. According to Levy, raunch culture is a product of the unresolved feminist sex wars — the conflict between the women's movement and the sexual revolution.
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